It’s a We Luv Video Family Affair! Well. Leave the Kiddies home for this one.
Come celebrate the 50th Anniversary of Texas Chain Saw Massacre at We Luv Video on Oct. 11, 2024 (the exact release date 50 years ago!!)
This is Tobe Hooper's magnum opus. This is peak horror. It's your favorite horror movie's favorite horror movie. If you've procrastinated watching this classic this is your chance to see it at no place other than your local video store!
We'll have BBQ plates available and exclusive merch for this screening. There also might be some weird hitchhiker taking pictures of people? Stay safe folks. Find out WHO WILL SURVIVE AND WHAT WILL BE LEFT OF THEM!
Director Tobe Hooper on the set of TCM
Decades later, The Texas Chain Saw Massacre remains a film of such brutal intensity, such visceral majesty, that it is still being unpacked by film writers, revered and imitated and absorbed by filmmakers. It's a film so potent that it was banned in the UK for its extremity, even though there is barely a drop of blood to be seen. — Richard Whitaker for the Austin Chronicle. August 28th, 2017
Robert Burns was an art director and production/set designer. Burns' twisted, dark imagination created the demented human butcher house and bone furniture of the Sawyer family in The Texas Chainsaw Massacre; the otherworldly, bone-littered, spirit-haunted landscape in The Hills Have Eyes; the demented ballet and haunting imagery of the mannequins in Tourist Trap; the hidden, dark world lurking right beneath the one we know in The Howling; the twisted, modern-appliance-as-execution-chamber humor of Microwave Massacre; and the blood-soaked laboratory of Re-Animator. Burns created corpses for Poltergeist, was dialect coach on Ballad of the Sad Café, was art director for Disco Godfather, wrote and directed Mongrel, and starred in Confessions of a Serial Killer. — Louis Black for the Austin Chronicle. June 4, 2004